Close Detail up detail of Jan Hendzel's Drumlin Library Cabinet, made from Olive Ash, English Oak and London Plane.
jan hendzel studio's wooden sculpture for park avenue hotel in new york view of stacked timber

Expressive timber objects and furniture designed and crafted in London

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man looking at jan hendzel studio's wooden sculpture for park avenue hotel in new york
A dynamic, non-linear creative process. Not just techniques and material possibilities, but a closeness and open dialogue to develop the very best of what it can be.
We partnership with like minded brands, artists and people, where we can nurture and progress the most ambitious ideas.
Inspiration is sourced beyond the workshop to reinterpret individual objects into storied furniture collections that can be translated into any space.

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A collection exploring the untapped potential of the British woodland through contrasting timber palettes, smooth digitised ripples and precise joinery.
A special edition of our multi award-winning British timber cable shop stool marked with hand-carved grooves, designed by us to be made by you.
Monolithic furniture and sculptural objects that make up a home, originally crafted and curated for the Town Hall Hotel.

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An Offering – Forefront Gallery

18th Feb 2026

Jan Hendzel, An Offering Exhibition Poster

We’re delighted to announce our upcoming exhibition, ‘An Offering’, curated in collaboration with Giles Tettey Nartey.

The Exhibition run’s from 27th February – 17th April at Forefont Gallery, a new cultural platform founded by Professor Sadie Morgan OBE, co-founder of dRMM, and Dicle Guntas, the managing director of developer HGG, with the mission of fostering dialogue between artists, cultural institutions, developers and landowners.

‘An Offering’ presents a series of works by Jan Hendzel Studio that unfold between material knowledge and embodied making. Wooden sculptures, crafted furniture pieces and small maquettes form a collective installation conceived through a logic defined by timber and technique, where carving, turning, stacking and alignment become rhythmic acts of assembly.

The exhibition acts as a reciprocal gesture: The Studio’s work is offered to the space, emerging from the offering made by Forefront gallery through the commission and platform they provide. As a result, the space is transformed into an intimate place of process, memory and making.


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